Monday, January 20, 2014

Malpractice! The Novel by William Louis Harvey @sexandlawnovel

“Please excuse me, Doctor,” Paul interrupted. “I note that on my copy of this page, someone has drawn a ring around P-fifty-six. Do you know who drew that ring and why?”
“Objection,” said Charles Quick. “That was a compound question.”
“Sustained,” said the judge. “One question at a time, please, Mr. Butler.”
“I apologize to the court, Your Honor.” Paul continued, “Doctor, who drew the circle around P-fifty-six?”
“I did,” Dr. Black said.
“And, why did you draw that circle?”
Now Dr. Black seemed to gather confidence. “A pulse rate of fifty-six is slow for a child, and taken together with the information that she had hit her head, I worried about the possibility of bleeding causing increased pressure within the head since that is known to cause a slow pulse.”
“Objection!” Quick called. “This witness has not been qualified as an expert, so he is not permitted to express opinions but only facts.”
“Mr. Butler?” the judge questioned.
“Well, Your Honor, I see the problem, and we will revisit this issue later in the case. However, as the first physician to examine and suggest treatment for this patient, the doctor had to make decisions about a diagnosis and treatment based on his knowledge and experience.”
“Everything in the record is admissible,” said Quick. “However, the reason for his encircling the pulse figure is not explained in the record and is an opinion. I mean no offense, but the doctor was only an intern at the time—a doctor in training.”
“Objection sustained,” said Judge Davies.
Secretly Paul was pleased. He had managed to focus the jury’s attention on the pulse rate, an important issue in this case. (p. 54) Malpractice! the Novel



Malpractice_Cover_sansback1
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Genre – Steamy Courtroom Drama
Rating – R
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Sunday, January 19, 2014

#Author Deborah Hawkins Interviews Ellen from Dance for a Dead Princess #Romance @DeborahHawk3

Our guest post for today comes from author Deborah Hawkins, author of Dance for A Dead Princess, who is interviewing Ellen Scott, housekeeper at Burnham Abbey and close friend of Nicholas Carey, the Eighteenth Duke of Burnham.
Deborah: “Thank you for stepping out of the pages of Dance For A Dead Princess to talk to us.   What is it like to be a modern-day housekeeper at an English stately home that dates back to Henry VIII’s time?”
Ellen:  “Well, obviously I love my job.  I oversee the household staff and ensure  the kitchen is running properly.  Above all, I’m responsible for the happiness of our resident chef.  Nicholas insists on having a top-rated chef at all times, and he takes it very hard when one of them leaves.   Since Downtown Abbey became popular,  people I meet are a lot more interested in what I do than they used to be.  They think I am like Mrs. Hughes, but our staff at the Abbey is much, much smaller than the staff at Downtown.”
Deborah: “Does the new attention make you uncomfortable?”
Ellen: “Not at all. The attention isn’t new really.  My job has always kept me in the spotlight because of my connection to Nicholas.   He is the second richest man in England.  The press hounds are  always pursing me for gossip about the women in his life.  Of course, I tell them nothing.”
Deborah: “How did you come to be the housekeeper at Burnham Abbey?”
Ellen: “I grew up on the estate. My father was a tenant on one of the Burnham Trust farms. I went to university to be a teacher, and I taught for a while at the school in the village after I got married. My husband Pete also grew up on one of the estate farms.  He oversees all the Trust’s agricultural holdings now.
“I agreed to be Nicholas’ housekeeper after Nicholas inherited the title and wanted to live at the Abbey and take care of the land in the traditional way of the old dukes.  He was going through a bad patch in his marriage to Deborah just then, and I couldn’t say no. The job stuck, and I’ve been doing it ever since.”
Deborah: “Is it true Nicholas became close to Princess Diana because of his wife?”
Ellen: “Yes.  Deborah and Diana were great friends at West Heath when they were girls.   Nicholas loved Deborah beyond anything I’ve ever seen, and he turned to Diana for advice when his marriage was in trouble.  And she, likewise, sought his advice over the whole Charles-Camilla thing.”
Deborah: “Did you ever meet the Princess of Wales?”
Ellen:  “Oh, yes.  Many times.  She was a lovely, lovely warm woman.  I still cry at times when I think about her being gone.  I’m always half-expecting to hear her car in the drive and her voice calling out for Nicholas.  He always took her part in everything.  There were so many men in her life who should have loved her, but who didn’t. More fool them.   She was just the most beautiful, thoughtful woman in the world. And she loved her boys.”
Deborah: “What did you think of Taylor Collins when you met her?”
Ellen: “She didn’t look like a lawyer.  She was this tiny little thing with dark curly hair and deep violet eyes.  But there was something about her that set her apart from the other women Nicholas brings around.  She had this fierce, determined attitude that made her seem a little off-putting at first.  But I saw the way Nicholas looked at her, and I was so afraid he was going to get his heart broken again.  Losing Deborah was a blow he refused to get over, and now I thought he was headed for another heartache. Taylor Collins was the only woman in the world who hadn’t any interest in being the Duchess of Burnham.”
Deborah: “Did you know Nicholas was looking for the video tape that Diana made, naming her killer?”
Ellen: “Oh, yes.  He was discouraged for so many years because he had no information about what happened to it.  I begged him to let it go because looking for it put his life in danger.  But he wouldn’t listen.  After Deborah died, I think he had a death wish.  That is, until he met, Taylor.”
Deborah:   “I understand you knew Nicholas’ ward Lucy very well?”
Ellen:   “I don’t think any of us knew Lucy well.  Sixteen-year-olds are unpredictable, and Lucy was particularly hard to understand.  I just know she broke Nicholas’ heart too many times to count.  He blamed himself for her, and I didn’t think that was right.  Drug addiction tears a family apart.”
Deborah: “I understand Taylor Collins found a manuscript in the Abbey library that Thomas Carey, the first duke wrote, about the love of his life, Elizabeth Howell.  Have you read it?”
Ellen:  “I have.  Nicholas always insisted the family was founded on the murder of Thomas’ first wife to clear the way for him to marry Elizabeth, the heiress.  Taylor, who had read the manuscript, said that wasn’t true; and I wanted to know how the Careys came to be one of England’s most powerful and wealthy families.”
Deborah: “And did you find out?”
Ellen: “Indeed, I did.  Thomas’ contemporaneous portrait of Henry VIII is fascinating.  You feel as if you’re standing right there in front of him with Thomas.  But I haven’t time  to tell you that story now.  We’re serving tea in the Long Gallery in a half hour to a group of American tourists. Tourists are a substantial part of the Abbey’s income, and they spend a lot of money with the villagers in Burnham during their summer visits,  so Nicholas insists we make them feel fully welcome to show our gratitude.   But I would love to have you join us for tea.”
Deborah: “Thank you.  I would be delighted.”
http://www.orangeberrybooktours.com/wp-content/uploads/2013/11/DanceForADeadPrincess.jpg
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Genre – Contemporary Romance,Mystery
Rating – G
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Tales of Mi7: The Kramski Case by J.J. Ward @MI7Ward

Chapter 1: Them Ol’ Paparazzi Blues

Kendal, Cumbria.

Someone called Jilly’s name, then the name of her band, Four Girls on Fire. At first, she thought she was dreaming – they’d just won the nation’s biggest talent show all over again, and from now on, life was going to be really amazing! - then her stomach turned over.

She disengaged herself from Rob, got out of bed and went to the window. Bloody hell, yes, down in the narrow cobbled street that fronted the guest-house. Paparazzi, sixteen or seventeen of them, all men, full of last night’s chip fat and strip-club testosterone, leering up at the net curtain like they could see through it. She swallowed.

The other girls had warned her about dating a member of a boy band, but only tongue in cheek. Twice the publicity, babes, sure you can handle that? She couldn’t help herself, though. Two years ago he’d been her hero and she’d been a nobody. Now they were equals.

“They’ve found us,” she told him.

Rob stretched and yawned. He discarded the bedclothes, picked up his boxer shorts and put his foot in one leg. “The press?”

“You don’t seem very bothered.”

“You were bloody brilliant last night, Jilly.”

“How did they know we were here?”

“I mean it. Outstanding.”

She realised she didn’t even like him much. “Did you tell them?”

“Me?”

“Wake up, Rob! It’s the press! I said the press have found us!”

He pulled on his boxers and put his arms round her. She disengaged herself, plonked herself at the dressing table and brushed her long brown hair, pulling halfway down as if it was full of knots. She was trying to stop herself shaking.

“Anyone could have told them,” he said. “It definitely wasn’t me, babe.”

“Put your clothes on. We’re leaving.”

“Why? They can’t get in here.”

She fished her bra from the pile of clothes on the floor and put it on. “We’re in the bloody Lake District, Rob. We’re supposed to be miles from anywhere. How did they find us so quickly?”

She looked round the room: the plaid curtains, the beds with valances, the 1920s lampshades, all the varnished wooden surfaces, so unlike the places she always stayed when she was touring with the girls. She’d fallen in love with it at first sight. She’d been drunk, true, but she’d never wanted to leave.

Rob pulled his socks and T-shirt on then looked at her. “You’re not frightened, are you?”

“They’ve probably got the place surrounded. And yes. Yes, I am frightened.”

“We’ll just call a taxi. We can be downstairs and in the car before anyone knows it.”

“I’m not bothered about us, Rob. I’m bothered about them.” Tights, tights, where were her bloody tights?

“‘Them’?”

“Yeah, ‘them’. The photographers, journalists, whatever they call themselves. Them!”

He laughed. “First time anyone’s cared what happens to paparazzi. Anyway, what could happen to them?”

“Haven’t you been watching the news recently? Are you really that self-obsessed?”

“Hey, now - ”

“Four photographers shot dead in four weeks. Following Bobby Keynes, Zane Cruse, Mikey from Bad Lads Zero, Stallone Laine - ”

“No such thing as bad publicity, from what I hear. Not that you need it, girl, but it won’t hurt. Besides, they’re all douche bags, right?”

She pulled her dress on and smoothed the waist. She’d had enough now. She wanted out. Of everything. “I misjudged you, Rob. They’re still human beings.”

“No, they ain’t. Anyway, what are the chances?”

“I don’t want to think about it.”

He picked up the telephone. “Is that reception? Hi, yeah … Room …”

“Fourteen,” Jilly said.

“Fourteen. Could you get a taxi pronto for me and the shorty? And fetch us the bill for the room? … Yeah, we’re leaving … Yeah, all good things have to come to an end sooner or later … Yeah, we’re disappointed too.” He put his hand over the receiver. “She knows us,” he told Jilly. “It’ll be her that told the reporters.”

“Bitch.”

He put the phone down. “About fifteen minutes. Get your face on, gorgeous.”

“I’m not waiting for her taxi to come, Rob. Not if she’s with them. I’ll get my own. There’s a rank down the road. Come on.”

“What about your make-up?”

She rammed a pair of sunglasses on and picked up her travel bag. He followed her downstairs. They didn’t stop at reception. Rob reached into his wallet, pulled out four fifties and thrust them at Mrs whatever-she-was-called, the proprietress. “Keep the change.”

Suddenly, they were out on the street. Paparazzi to their right, shouting Jilly. Jilly take off your shades, Jilly flick your hair, Jilly wave, Jilly smile, Jilly stop, who’s that with Jilly, that’s Rob from Simply Boyz, Rob give us a smile, Rob –

She took off her glasses, grabbed Rob’s hand and turned left and accelerated. She almost changed direction. There was a loud crack and she jumped like she’d been hit.

Behind them, the paparazzi roared. One of them – a photographer, about twenty-five - lay prostrate and bloody. Four others photographed him, ten or twelve were in full flight, one was trying to get a signal on his mobile. No one was interested in Jilly and Rob any more.

Rob looked at them then at her. “Oh, my God. Oh, my God.”

Jilly started screaming.

Tales of MI7

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Genre – Espionage Thriller

Rating – PG

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Saturday, January 18, 2014

Razer 8 #Series by P.T.Macias #Romance @PT_Macias

LocoRazer
The hard driven, ambitious delta force operative is immune to women. His heart has been destroyed by a treacherous woman and the unexpected loss of his family. These events have driven him nearly into insanity. The hard knocks in life propel him into grasping his emotions, his thoughts, and his physical condition. He focused on his goal. Loco doesn’t allow any type of distractions or obstacles to stop him. His actions and recklessness have earned him his nickname, Loco.
The Infinite power, Razer 8 operatives, are united and linked for infinity. His team mates recognize his pain, anger, and strength is derived from the intense impotency he feels from his loss.
The unexpected mission and unexpected encounter with his soul mate, tests his strength. His mind, heart, and soul recognize his love even before the actual encounter. The ruthless criminals threaten to harm his soul mate, pushing and transforming him into a fearless warrior.
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Genre – Romantic Suspense
Rating – PG 13
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Getting to Know #Thriller #Author Interview Brian Bloom @BrianB_Aust

Is there anyone you’d like to acknowledge and thank you their support?
12 years ago, I was introduced to Steve Kurtz by a mutual friend. Steve has a deep interest in philosophical matters and was once an associate member of the Club of Rome, a global think tank. He reads voraciously and copies me with articles that he thinks might be of interest. We have a mutual interest in population overshoot, resource depletion, energy, ethics and various other matters that will likely impact on the future of civilisation. There’s a lot we don’t agree on but that is an advantage from my perspective because Steve forces me to be absolutely clear in my thinking.

5 years ago, arising from one of my blogs that I had been writing since 2002, I was contacted by a reader, Anselmo Pedroni with whom I formed a friendly relationship based on an exchange of views in our various fields of expertise. Within his field of expertise Anselmo was a world renowned physicist, Geo- and Cosmo-chemist but he had to retire for health reasons. He has been mentoring me on the science that underlies climate change and energy and various other physics based subjects in my novels. I would like to thank both Steve and Anselmo, and also my wife Denise, who has been extremely supportive of me as an individual, and who has educated me in matters spiritual for over 40 years.

Have you developed a specific writing style?
The editor/publisher of my first novel advised me to stay away from “purple prose” and to avoid becoming too caught up by adjectives – unless it was patently appropriate to the scene I was describing. She also advised me to talk in active language rather than passive language – so that the reader would not be bored to death by rambling passages. The active language typically flows in dialogue and the passive language typically flows from descriptive puffery.

I have tried to follow that advice. I have also discovered that readers can follow more than one thought thread at a time, provided the thoughts are seen within context. For example, the mystery stories that dump random ideas, the relevance of which only emerges a couple of chapters later, forces the reader to concentrate very carefully. My books already require concentration, so I try to have some mercy. I try to lighten the boredom by using different techniques than “tension building”. For example, switching from one scene to another; using humour, using dialogue for as long as it feels comfortable and then switching to descriptive prose, presenting a part of an idea to stimulate curiosity, which encourages the reader to read on in order to get the balance of the idea.

Every writer has their own idea of what a successful career in writing is, what does success in writing look like to you?
I have what the Harvard University Business School guys call a BHAG – a “Big, Hairy, Audacious, Goal”. My BHAG is to reach 140 million readers/movie viewers across the planet – which represents 2% of the global population. To put some perspective on how B that HAG is, Michael Crichton’s books, cumulatively, sold 100 million copies across his entire career; Dan Brown’s Da Vinci Code sold about 80 million copies, and Mel Gibson’s Passion of the Christ had about 60 million viewers.

My target market is those same readers/viewers, but augmented by similarly minded people in The Middle East, Pakistan, Indonesia, Brazil, Russia, India and China. “Success” will be defined as realising my BHAG. Anything substantially less, and I may as well play golf. I’m not holding my breath.

On the other hand, I am giving it my best shot. Following a 35 year career in Strategic Planning, at senior level both inside large corporations and for small, high growth businesses, I devoted nearly 8 years of my life to researching and writing those books. They represent the best I was able to produce. From my perspective I have nothing to be ashamed of. My novels capture the essence of life on earth in the early 21st Century and in that sense they can be genuinely classified as “literature”. Hopefully they may one day be seen as classical literature.

I would also like to emphasise one fact: “Success” will not feed my ego. I wrote Beyond Neanderthal and The Last Finesse because I could, and because I perceived a crying need on society’s part. I am genuinely worried about the future for all our children and grandchildren. If your readers are as worried as I am, then – for their own sakes – they should read my books and start talking amongst their circles of friends and acquaintances. Let’s move to heal society and our planet. My success will be everyone’s success. As an aside, if we are successful then it will prove that the pen is indeed “mightier than the sword”.

What dreams have been realised as a result of your writing
None, I am not by nature a dreamer. I try to be a visionary. Will my vision be realised? The market will decide if they want to hear what I have to say. But the market needs to become aware of the fact that I have something to say.

Do you have any upcoming appearances that you would like to share with us?
In respect of writing, no. However, I did score a hole-in-one for the first time after 50 years of playing golf on and off, and I will be appearing at my local golf club to receive a trophy.

The Last Finesse

In the global corridors of power, a group of faceless men is positioning to usurp control of one of the world’s primary energy resources: uranium. Climate change looms large. Luke Sinclair is a young, Australian-born professor of mineralogy and an expert in the nuclear-fuel cycle. Up to now, he’s led a carefree, hedonistic lifestyle.

But things change: renegade North Korea is about to transfer its illicitly acquired nuclear-weapons technology to Myanmar. The CIA wants to block the development. It enlists the aid of the Australian Secret Intelligence Service. ASIS commandeers Luke, who quickly discovers there are wheels within wheels. Who has the real power? Who are his real friends? Is the attempt to corner the nuclear market ‘The last finesse’ of the faceless men who are so fixated on their personal goals they’ll risk a planetary cataclysm? Has ethical behaviour become merely an anachronism in the 21st Century gladiatorial arena?

The Last Finesse is Brian’s second factional novel. Both were written for the simultaneous entertainment and invigoration of the thinking element of society. It is a prequel to Beyond Neanderthal, which takes a visionary view of humanity’s future, provided we can sublimate our Neanderthal drive to entrench pecking orders in society. The Last Finesse is more “now” oriented. Together, these two books reflect a holistic, right brain/left brain view of the challenges faced by humanity; and how we might meet them. All our problems – including the mountain of debt that casts its shadow over the world’s wallowing economy – are soluble.

About the Author:
In 1987, Brian and his young family migrated from South Africa to Australia where he was employed in Citicorp’s Venture Capital division. He was expecting that Natural Gas would become the world’s next energy paradigm but, surprisingly, it was slow in coming. He then became conscious of the raw power of self-serving vested interests to trump what – from an ethical perspective – should have been society’s greater interests.

Eventually, in 2005, with encouragement from his long suffering wife, Denise, he decided to do something about what he was witnessing: Beyond Neanderthal was the result; The Last Finesse is the prequel.

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Genre - Conspiracy Thriller
Rating – MA (15+)
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Author Interview – Carla Woody @CarlaWoody1

How long have you been a writer? I’ve been writing off and on since childhood. The first story I can remember writing was called The Empty-Treed Forest. Looking back, this was an environmental piece somewhat strange for a seven-year-old to produce. As a teenager I wrote bad protest poetry, and then set creative writing aside for a long time in favor of the academic reports and theses necessary to acquire degrees. In the early 1990s I picked up the pen again to start writing articles and books in earnest.

Why do you write? I have a passion for expression. That’s why I find it so important to, as much as possible, integrate some form of it into my everyday life and live through deeply held values. There were too many years I didn’t do that and felt cut off, which—of course—is how I came to do the work I do with others. In particular, writing and artwork are how I work things out internally and keep the creative juices flowing.

What types of writing do you do? The themes have to do with spiritual evolution, natural healing, indigenous cultures, and advocacy related to Native wisdom traditions in danger of decimation. I cover these subjects in journal and magazine articles, as well as narrative nonfiction and fiction books.

Are you solely a writer or do you have multiple occupations? I view my books and articles as vehicles for my lifework, a way folks can be introduced or as an adjunct to my programs. For more than twenty years I’ve been mentoring people toward conscious living, essentially to realign their lives. In 1999 I founded Kenosis LLC to support human potential through travel journeys working with Native spiritual leaders and healers in Peru, Mexico, Guatemala and the USA; and mentoring programs integrating Neuro-Linguistic Programming (NLP) and sacred world traditions. Then in 2007 I established Kenosis Spirit Keepers, its nonprofit extension, to help preserve indigenous lifeways through various projects. I’ve also been doing conflict mediations since the late ‘80s when most people didn’t know what it was. They thought I was talking about meditation! These days I specialize in family mediations for divorcing parents.

Tell us about your new book? Portals to the Vision Serpent was released on June 17, 2013. It’s a coming-of-age novel—a Hero’s Journey—that takes the reader into the realms of shamanism and the Maya world as a young man searches for his lineage and missing father. The struggles the Maya have to preserve their way of life and the devastations that can come from misunderstandings are an integral part. It’s basically a book about spiritual healing. Readers are likely to see themselves in various ways, the same as reported to me from readers of my nonfiction books Standing Stark: The Willingness to Engage (2004) and Calling Our Spirits Home: Gateways to Full Consciousness (2000).

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Genre –  Fiction / Coming of Age / Historical

Rating – PG

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Website http://www.kenosis.net/

Friday, January 17, 2014

Author Interview – Michelle Rabe @michrabe

Did writing this book teach you anything and what was it?

Yes. It taught me a lot about the basics of writing. The earliest drafts had very little in common with the finished novel. The basic storyline and characters were the same but a lot of happy accidents happened along the way that made the story better.

Do you intend to make writing a career?

Yes.

Have you developed a specific writing style?

I think that I have, what it is I can’t really say.

What is your greatest strength as a writer?

I think that it’s my dialogue. I spent several years studying acting and I think that it helped develop my ear for dialogue whether the words are on paper or actually being spoken.

Have you ever had writer’s block? If so, what do you do about it?

Yes. I do another creative thing, dancing badly in my living room where no one else can see, taking my camera out and photographing nature or a cemetery. Something, which gives me distance from what’s causing the problem.

Michelle Rabe

To the outside world, Morgan Blackstone is an eccentric business woman. But, in her chest beats the undead heart of a 21st century vampire. Behind the doors of her nightclub, The Dracul, Morgan rules with an iron fist in a velvet glove.

After a long night of wrangling unruly supernatural customers, she is looking forward to some peace… but unbeknownst to her, there are other vampires who are conspiring against her. Just before dawn, in the deserted parking lot, she comes face-to-face with two old adversaries, one of which she had last seen being sealed in a tomb, 400 years before.

Overpowered by her attackers, Morgan wakes inside the lab of an unscrupulous doctor. Held against her will, subjected to experiments, she soon realizes that something has begun to burn within her veins…

Something that she knows will kill her.

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Genre - Paranormal Urban Fantasy

Rating – PG-13

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Website http://paperbackvamp.tumblr.com/

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